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La boheme tickets

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La boheme

Venue: London Coliseum

 
St. Martin's Lane,
London WC2N 4ES,
United Kingdom
 
 
All dates
Season 2018
 
Season 2019
 

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Next performance (see season calendar above for other dates)
La boheme
Mon 26 November 2018
Stalls 1
Hour Hall Price Tickets Buy
19:30 London Coliseum
ON REQUEST
 
Stalls 2
Hour Hall Price Tickets Buy
19:30 London Coliseum 127 € Add to cart
 
Stalls 3
Hour Hall Price Tickets Buy
19:30 London Coliseum 122 € Add to cart
 
Stalls 4
Hour Hall Price Tickets Buy
19:30 London Coliseum 110 € Add to cart
 
 
La boheme
Wed 28 November 2018
Stalls 1
Hour Hall Price Tickets Buy
19:30 London Coliseum 139 € Add to cart
 
Stalls 2
Hour Hall Price Tickets Buy
19:30 London Coliseum 127 € Add to cart
 
Stalls 3
Hour Hall Price Tickets Buy
19:30 London Coliseum 122 € Add to cart
 
Stalls 4
Hour Hall Price Tickets Buy
19:30 London Coliseum 110 € Add to cart
 
 
La boheme
Sat 01 December 2018
Stalls 1
Hour Hall Price Tickets Buy
15:00 London Coliseum 139 € Add to cart
 
Stalls 2
Hour Hall Price Tickets Buy
15:00 London Coliseum 127 € Add to cart
 
Stalls 3
Hour Hall Price Tickets Buy
15:00 London Coliseum 122 € Add to cart
 
Stalls 4
Hour Hall Price Tickets Buy
15:00 London Coliseum 110 € Add to cart
 
 
 
Event details
 
Composer: Giacomo Puccini

Synopsis

    Place: Paris
    Time: Around 1830.

Act 1

In the four bohemians' garret

Marcello is painting while Rodolfo gazes out of the window. They complain of the cold. In order to keep warm, they burn the manuscript of Rodolfo's drama. Colline, the philosopher, enters shivering and disgruntled at not having been able to pawn some books. Schaunard, the musician of the group, arrives with food, wine and cigars. He explains the source of his riches: a job with an eccentric English gentleman, who ordered him to play his violin to a parrot until it died. The others hardly listen to his tale as they set up the table to eat and drink. Schaunard interrupts, telling them that they must save the food for the days ahead: tonight they will all celebrate his good fortune by dining at Cafe Momus, and he will pay.

The friends are interrupted by Benoît, the landlord, who arrives to collect the rent. They flatter him and ply him with wine. In his drunkenness, he begins to boast of his amorous adventures, but when he also reveals that he is married, they thrust him from the room—without the rent payment—in comic moral indignation. The rent money is divided for their evening out in the Quartier Latin.

Marcello, Schaunard and Colline go out, but Rodolfo remains alone for a moment in order to finish an article he is writing, promising to join his friends soon. There is a knock at the door. It is a girl who lives in another room in the building. Her candle has blown out, and she has no matches; she asks Rodolfo to light it. She is briefly overcome with faintness, and Rodolfo helps her to a chair and offers her a glass of wine. She thanks him. After a few minutes, she says that she is better and must go. But as she turns to leave, she realizes that she has lost her key.

Her candle goes out in the draught and Rodolfo's candle goes out too; the pair stumble in the dark. Rodolfo, eager to spend time with the girl, to whom he is already attracted, finds the key and pockets it, feigning innocence. He takes her cold hand (Che gelida manina – "What a cold little hand") and tells her of his life as a poet, then asks her to tell him more about her life. The girl says her name is Mimì (Sì, mi chiamano Mimì – "Yes, they call me Mimì"), and describes her simple life as an embroiderer. Impatiently, the waiting friends call Rodolfo. He answers and turns to see Mimì bathed in moonlight (duet, Rodolfo and Mimì: O soave fanciulla – "Oh lovely girl"). They realize that they have fallen in love. Rodolfo suggests remaining at home with Mimì, but she decides to accompany him to the Cafe Momus. As they leave, they sing of their newfound love.

Act 2

Quartier Latin

A great crowd, including children, has gathered with street sellers announcing their wares (chorus: Aranci, datteri! Caldi i marroni! – "Oranges, dates! Hot chestnuts!"). The friends arrive; Rodolfo buys Mimì a bonnet from a vendor, while Colline buys a coat and Schaunard a horn. Parisians gossip with friends and bargain with the vendors; the children of the streets clamor to see the wares of Parpignol, the toy seller. The friends enter the Cafe Momus.

As the men and Mimì dine at the cafe, Musetta, formerly Marcello's sweetheart, arrives with her rich (and elderly) government minister admirer, Alcindoro, whom she is tormenting. It is clear she has tired of him. To the delight of the Parisians and the embarrassment of her patron, she sings a risqué song (Musetta's waltz: Quando me'n vo' – "When I go along"), hoping to reclaim Marcello's attention. The ploy works; at the same time, Mimì recognizes that Musetta truly loves Marcello. To be rid of Alcindoro for a bit, Musetta pretends to be suffering from a tight shoe and sends him to the shoemaker to get her shoe mended. Alcindoro leaves, and Musetta and Marcello fall rapturously into each other's arms.

The friends are presented with their bill. Schaunard's purse has gone missing and no one else has enough money to pay. The sly Musetta has the entire bill charged to Alcindoro. The sound of a military band is heard, and the friends leave. Alcindoro returns with the repaired shoe seeking Musetta. The waiter hands him the bill and, dumbfounded, Alcindoro sinks into a chair.

Act 3

At the toll gate at the Barrière d'Enfer (late February)

Peddlers pass through the barriers and enter the city. Mimì appears, coughing violently. She tries to find Marcello, currently living in a little tavern where he paints signs for the innkeeper. She tells him of her hard life with Rodolfo, who abandoned her the night before, and of Rodolfo's terrible jealousy (O buon Marcello, aiuto! – "Oh, good Marcello, help me!"). Marcello tells her that Rodolfo is asleep inside, and expresses concern about Mimì's cough. Rodolfo wakes up and comes out looking for Marcello. Mimì hides and overhears Rodolfo first telling Marcello that he left Mimì because of her coquettishness, but finally confessing that his jealousy is a sham: he fears she is slowly being consumed by a deadly illness (most likely tuberculosis, known by the catchall name "consumption" in the nineteenth century). Rodolfo, in his poverty, can do little to help Mimì and hopes that his pretended unkindness will inspire her to seek another, wealthier suitor (Marcello, finalmente – "Marcello, finally").

Out of kindness towards Mimì, Marcello tries to silence him, but she has already heard all. Her weeping and coughing reveal her presence, and Rodolfo hurries to her. Musetta's laughter is heard and Marcello goes to find out what has happened. Mimì tells Rodolfo that she is leaving him, and asks that they separate amicably (Mimì: Donde lieta uscì – "From here she happily left"); but their love for one another is too strong for the pair to part. As a compromise, they agree to remain together until the spring, when the world is coming to life again and no one feels truly alone. Meanwhile, Marcello has found Musetta, and the couple quarrel fiercely about Musetta's flirtatiousness: an antithetical counterpoint to the other pair's reconciliation (quartet: Mimì, Rodolfo, Musetta, Marcello: Addio dolce svegliare alla mattina! – "Goodbye, sweet awakening in the morning!").

Act 4
Back in the garret (some months later)
Marcello and Rodolfo are trying to work, though they are primarily talking about their girlfriends, who have left them and found wealthy lovers. Rodolfo has seen Musetta in a fine carriage and Marcello has seen Mimì dressed like a queen. The men both express their nostalgia (duet: O Mimì, tu più non torni – "O Mimì, will you not return?"). Schaunard and Colline arrive with a very frugal dinner and all parody eating a plentiful banquet, dance together and sing, before Schaunard and Colline engage in a mock duel.

Musetta suddenly appears; Mimì, who took up with a wealthy viscount after leaving Rodolfo in the spring, has left her patron. Musetta found her that day in the street, severely weakened by her illness, and Mimì begged Musetta to bring her to Rodolfo. Mimì, haggard and pale, is assisted onto a bed. Briefly, she feels as though she is recovering. Musetta and Marcello leave to sell Musetta's earrings in order to buy medicine, and Colline leaves to pawn his overcoat (Vecchia zimarra – "Old coat"). Schaunard leaves with Colline to give Mimì and Rodolfo some time together. Mimì tells Rodolfo that her love for him is her whole life (aria/duet, Mimì and Rodolfo: Sono andati? – "Have they gone?").

To Mimì's delight, Rodolfo presents her with the pink bonnet he bought her, which he has kept as a souvenir of their love. They remember past happiness and their first meeting—the candles, the lost key. Suddenly, Mimì is overwhelmed by a coughing fit. The others return, with a gift of a muff to warm Mimì's hands and some medicine. Mimì gently thanks Rodolfo for the muff, which she believes is a present from him, reassures him that she is better and falls asleep. As Musetta prays, Mimì dies. Schaunard realizes that Mimì has died. Rodolfo becomes aware that something is wrong. He rushes to the bed, calling Mimì's name in anguish, and weeps helplessly.

 

 
Program details
 

Alexander Joel, Conductor
Valentina Peleggi, Conductor (Feb 20, 22)
Jonathan Miller, Director
Natascha Metherell, Revival Director
Isabella Bywater, Designer
Kevin Sleep, Revival Lighting Designer
Amanda Holden, Translation


Natalya Romaniw, Mimì
Jonathan Tetelman, Rodolfo
Nicholas Lester, Marcello
Nadine Benjamin, Musetta
David Soar, Colline
David Ireland, Colline (Jan 29, Feb 2, 7, 9)
Božidar Smiljanić, Schaunard
Matthew Durkan, Schaunard (Jan 29, Feb 2, 7, 9, 12, 14, 16, 20, 22)
Simon Butteriss, Benoît/Alcindoro

 
Venue
 
London Coliseum
 

The home of ENO is the London Coliseum in the heart of London’s West End. Conveniently positioned in Theatreland, the theatre is near both Trafalgar Square and Leicester Square and benefits from the proximity of a number of tube stations and Charing Cross national rail station.
 

With the widest stage in London, it is a perfect venue for dance and performing arts companies. The glorious Edwardian architecture and interiors were magnificently restored in 2004, providing a beautiful auditorium and wonderful entertaining spaces throughout the building.  
 

 

HISTORY OF THE COLISEUM

 

The London Coliseum was designed by Frank Matcham for Sir Oswald Stoll with the ambition of being the largest and finest ‘People’s palace of entertainment’ of the age. 
 

Matcham wanted a Theatre of Variety – not a music hall but equally not highbrow entertainment. The resulting programme was a mix of music hall and variety theatre, with one act - a full scale revolving chariot race - requiring the stage to revolve. The theatre’s original slogan was PRO BONO PUBLICO (For the public good). It was opened in 1904 and the inaugural performance was a variety bill on 24 December that year.
 

With 2,359 seats it is the largest theatre in London. It underwent extensive renovations between 2000 and 2004 when an original staircase planned by Frank Matcham was finally put in to his specifications.The theatre changed its name from the London Coliseum to the Coliseum Theatre between 1931 and 1968. During the Second World War, the Coliseum served as a canteen for Air Raid Patrol workers, and Winston Churchill gave a speech from the stage. After 1945 it was mainly used for American musicals before becoming in 1961 a cinema for seven years.  In 1968 it reopened as The London Coliseum, home of Sadler’s Wells Opera. In 1974 Sadler’s Wells became English National Opera and the Company bought the freehold of the building for £12.8 million in 1992. The theatre underwent a complete and detailed restoration from 2000 which was supported by National Heritage Lottery Fund, English Heritage, The National Lottery through Arts Council England, Vernon & Hazel Ellis and a number of generous trust and individual donors to whom we are extremely grateful.The auditorium and other public areas were returned to their original Edwardian decoration and new public spaces were created. The theatre re-opened in 2004.
 

The London Coliseum has the widest proscenium arch in London (55 feet wide and 34 feet high – the stage is 80 feet wide, with a throw of over 115 feet from the stage to the back of the balcony) and was one of the first theatres to have electric lighting. It was built with a revolving stage although this was rarely used which consisted of three concentric rings and was 75 feet cross in total and cost Stoll £70,000. A range of modern features included electric lifts for patrons, a roof garden and an Information Bureau in which physicians or others expecting urgent telephone calls or telegrams could leave their seat numbers and be immediately informed if required.

 

FINDING LONDON COLISEUM

 

Nearest Underground

Charing Cross - 0.2 miles 
Northern Line 
Leicester Square - 0.2 miles 
Northern & Piccadilly Lines 
Covent Garden - 0.3 miles 
Northern & Piccadilly Lines 
Embankment - 0.3 miles 
Bakerloo, Circle, District & Northern Lines
 

Nearest Overground

Charing Cross - 0.2 miles 
Waterloo - 0.8 miles
 

Nearest Buses

3, 6, 9, 11, 12, 13, 15, 23, 24, 29, 53, 77a, 88, 91, 139, 159, 176

 
 
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